All That Glitters: Our 2020 Holiday Gift Guide

It’s again that time of year. The time for cheer. The time for gear. … Well, the time for a gear guide, anyway.

Below we present our 2021 Holiday Gift Guide. This guide is a yearlong endeavor. It’s true. We’ve been compiling ideas for it since last November—since literally the day after we released our 2019 gift guide. All through last December and in the 11 months since, we’ve kept our eyes on the prizes of the photography market, as well as on the world of the national parks. The result is this collection of over 40 products and services that we believe the photographer in your world will love. From cameras to lenses to software to books and more, these are gifts we believe in, gifts we would love to give.

Our gift to you is to help with your gifts to others. Your gift to us? You’ve already given it. This community is more than we could have wished for. So … thank you.

In addition to the blog post below, we’re also providing this gift guide as a free downloadable PDF e-book, so you can read it and reference it on any device, anytime, anywhere. Inside you’ll find products from major brands such as B&H Photo, BenQ, Bay Photo and Nikon, along with great little finds from smaller companies and startups.

In addition to the product information, the e-book version includes a lot more photos, as well as special discount codes and offers.

Download your copy today by clicking here:

Note: If you decide to purchase any of the items in this gift guide, please consider using the links included, as many generate a small commission that helps us improve the National Parks at Night workshop program.


Acratech

GXP with Lever Clamp

We absolutely love the Acratech series of ball heads and highly recommend the GXP as the workhorse to carry anything. It supports 50 pounds and will perfectly marry with any full-size tripod. For a travel tripod, choose the GP-ss with its smaller-diameter base. It has the same build and same reliability, and holds 25 pounds. For either, opt for the lever clamp over the knob for a super-secure connection.

See PDF version of the gift guide for an exclusive offer.

Amber Share Design

Subpar Parks 8x10 Print

Subpar Parks took off this year, offering a humorous take at the naïve cynicism of travelers who gave national parks bad reviews online. Choose an 8x10 Print of a favorite park with a glorious quote of negative feedback. Perhaps Acadia’s “The Water is Cold,” or Arches’ “Looks Nothing Like the License Plate,” or Everglades’ “Miles and Miles of Nothing.”

B&H Photo

Gift Cards

If you have a photographer in your life and are not quite sure what’s needed in their kit, it’s impossible to go wrong with a B&H Photo Gift Card. With over 600,000 items to choose from, you could be forgiven for not knowing what to get for that special someone. The gift card comes in both electronic and physical formats, and is available in denominations ranging from $25 to $250. They never expire, so if the recipient can’t decide what to get either, there’s no pressure to use it in a hurry. 

Babak Tafreshi

The World at Night

Babak Tafreshi, founder of the international organization The World at Night, has curated this collection of images of the night sky by more than 40 photographers from locations in 25 different countries. The World at Night is grouped according to six themes, including celestial phenomena and events, dark sky locations, UNESCO World Heritage Sites, and astro-tourism destinations such as ancient astronomical monuments and modern observatories. There is also commentary on the science and astronomy involved in each of the photographs. The book will provide inspiration, as well as motivation to get out and explore The World at Night.

Bay Photo Lab

Xpozer Wall Display

Photographers love celebrating their wonderful night (and day) images by printing and hanging them on the wall. And the bigger, the better! Bay Photo’s Xpozer prints allow you to print bigger at smaller prices than more traditional media. Moreover, the Xpozer’s patented hanging system allows for easily swapping in new prints, and rolling and storing those not currently on the wall.

See PDF version of the gift guide for an exclusive offer.

BenQ

SW2700PT Photographer IPS Monitor

Using a good computer monitor is critical to making images look their best. It really is the most important piece of equipment on the desktop. Without it, a photographer has no idea what their images actually look like. In the not-so-distant past, monitors that met the needs of demanding photographers were very expensive. BenQ has changed that by creating extremely high-quality monitors at a moderate price. You deserve a monitor that was built just for you. The SW2700PT.

Books

NPAN bookshelf

Does the photographer in your life relish great photography books? In addition to the few specific tomes and monographs mentioned in this guide, the National Parks at Night Bookshelf webpage catalogs over 100 of our instructors’ favorite volumes. Explore titles related to instruction, travel, photography history, photography collections and more. You’re sure to find a book for anyone who loves the art.

Coast Portland

HX5R Flashlight

The HX5R is a compact light with Coast’s patented focusing mechanism that transitions from an even, wide beam to a narrow spot beam with no halo. It has two brightness settings: 75 and 340 lumens. Unlike other Coast lights, the switch is on the barrel, and the USB charging port is under the tail cap. The dual power system allows the light to run on Coast’s rechargeable battery or with a standard CR123 battery. Comes with a lifetime warranty.

Constellation Catskill

Cosmic Discs

Among many wonderful things at his shop Constellation, artist Derek James Smith of Catskill, New York, offers handmade wall-hanging Cosmic Discs using the Japanese method of Shou Sugi Ban wood charring and preservation. Each is a unique expression of his connection to the universe. A concurrence of color, texture and astral bodies drawn forth from wood. Born of fire, friction and vision, each piece is an object for hours of contemplation at home.

Field Notes

National Parks Series Field Note Books

Working on a long set of long exposures—perhaps during a long, long overnight—can require making a copious amount of notes. Use these beautiful National Parks Series field-note books that celebrate some of America’s most beautiful spaces, from Yosemite to Acadia, from Arches to Mount Rainier and beyond. 48 pages of 3.5-by-5.5-inch graph paper with a soft cover that fits comfortably in a back pocket. Available in sets of three, or even as a subscription.

Four Point Puzzles

The Moon 1000-Piece Circular Puzzle

Who doesn’t like a challenging puzzle? And what better way to get to know the bright side of the moon than by putting it together, piece by piece? When assembled, The Moon measures 26.5 inches in diameter and shows stunning clarity of the tiniest craters on our nocturnal friend.

Gitzo

GIGT2545T Traveler Series 2 Carbon Fiber Tripod

This lightweight option from the master tripod makers at Gitzo is perfect for the photographer who wants to keep the load down on a trip or who wants a smaller option for a second setup. The GIGT2545T Traveler Series 2 is made from strong, light, vibration-damping carbon fiber, and features reverse-folding legs that contribute to the tripod’s minimal 17.5-inch collapsed length. Extends to five feet high and can support up to 26 pounds, all without bogging down the backpack. Pairs perfectly with the Acratech GP-ss ball head.

Hello Ranger

Community App   

For a place of inspiration and information, look no further than Hello Ranger—a website, podcast and Community App created for and by national park and public land enthusiasts. Grounded in a wonderful diversity of voices and expertise, Hello Ranger has lined up a talented and knowledgeable group of ambassadors (including our friend National Park Patch Lady) to facilitate and encourage park lovers of all ages and abilities. Have questions about the best trails in northeastern national parks or car camping in the southwest? There’s an expert for that on Hello Ranger.

Irix

45mm f/1.4 Dragonfly Lens

The newest lens from Irix is the gorgeous 45mm f/1.4 Dragonfly. Fully weather-sealed, it contains aspherical and extra-low dispersion elements to minimize spherical aberration, distortion and chromatic aberration. The fast f/1.4 aperture has nine rounded blades for pleasing bokeh. Like all Irix lenses, the 45mm is fully manual focus with a focus confirmation and locking mechanism, as well as hyperfocal and depth of field scales. It’s available in Canon, Nikon and Pentax mounts.

All Irix lenses are currently on sale at B&H Photo.

Ken Lee

Abandoned Southern California: The Slowing of Time

We’re big fans of Ken Lee’s photographs of abandoned sites in Southern California, and now Arcadia Publishing’s America Through Time imprint has published a monograph of the best of his work. The book is divided into sections according to subject, with accompanying text about the locations. Abandoned Southern California is available from Amazon, or directly from Ken’s website if you’d like a signed copy.

Lacie

2big Dock 2-Bay RAID Array

Looking for a better way to organize and hold an ever-growing Lightroom Catalog? Lacie’s 2big Dock 2-Bay RAID Array offers storage solutions from 8 to 32 TB with the blazing fast Thunderbolt 3 connection. SD and CompactFlash cards can also be downloaded directly via the dock in the front. Have a PC computer? The 2big also is available in black with a USB 3.1 Type-C connection. Get the home catalog organized and ready to roll for 2021!

See PDF version of the gift guide for an exclusive offer.

Light Painting Brushes

Portrait Light

Looking for an easy way to make soft light for your night portraits? Light Painting Brushes’ new Portrait Light attachment is a thoughtfully designed directional light source that works with most flashlights. The attachment is also diffused, so making that softbox/window light look will be easy. It’s a perfect match with their Universal Connector (required!) and a Coast flashlight.

See PDF version of the gift guide for an exclusive offer.

Luxli

Fiddle Pocket RGBAW LED Kit

We were thrilled to help launch the Luxli Fiddle at this year’s OPTIC All-Stars Conference! Luxli took the same technology from the slightly bigger Viola and packed it into an even more compact body, and combined it with a built-in battery that will last 1 to 3 nights in the field for lots of low-level light painting. The Fiddle Pocket Kit comes with a magnet mount and upgraded mini ball head to accurately point and/or feather the light.

Save $40 off the Fiddle & Fiddle kits at B&H Photo through December 31.

Manfrotto

MS0490C Carbon Fiber Nanopole Stand

The Nanopole light stand is perfect for getting a Luxli Fiddle or other light elevated over the scene. But this taller and lighter stand offers even more versatility, because it can also be used as a boom arm! The carbon fiber center column simply clicks out to extend to 77 inches, allowing a photographer to extend their light more places. The carbon fiber version is lighter and has twist locks similar to most tripods; the aluminum version has standard light stand knob locks.

See PDF version of the gift guide for an exclusive offer.

Move-Shoot-Move

2-in-1 Star Tracker Rotator

Star Trackers have long been an enticing idea, allowing for long star-point exposures at low ISOs by moving the camera in sync with the stars. But star trackers were also bulky and complex to set up. No more! The Move-Shoot-Move Rotator is lightweight (1 pound), small (1.7 by 3.2 by 3.9 inches) and easy to get working. Use for single, low-ISO exposures or for time lapse.

Nanlite

Nanlite PavoTube II 6C 10in 6w RGBWW LED Tube

Light painters and light writers will want to add the Nanlite Pavotube II 6C to their arsenal. With a USB-C-charged internal battery, 2700 to 7200 K CCT, full RGB and Fx modes, this diffused 10-inch light source solves tons of problems. Lots of accessory mounting options or even fabric grids for light control are also available. Plus, the tube’s got magnets! Stick it to the hood of a car, a signpost or other metal surface for effects in places light stands can’t go.

See PDF version of the gift guide for an exclusive offer.

National Park Geek

Neck Gaiter

Has your love of national parks blossomed into nerdom? Based on the wildly popular Instagram account, National Park Geek is the go-to resource for T-shirts, stickers, patches and other park collectibles. Wear your geeky pride with this fun Neck Gaiter, while staying warm and comfortable in cool conditions.

Exclusive discount: 10 percent off with promo code “STARS” through December 11.

National Park Playing Cards

National Park Playing Cards

Gin Rummy, Texas Hold’em or even solitaire is even better when you see your favorite old haunts or locations from your bucket list as you play with National Park Playing Cards. Each card in this beautifully designed, high-quality deck features a scene from a different national park—illustrations that capture the unique beauty of each park with a modern look and feel. 56 cards, created for card-lovers and nature-lovers alike. Designed in Los Gatos, California.

National Parks at Night

2021 Wall Calendar

The annual National Parks at Night wall calendar is released for 2021! Explore 13 months’ worth of astronomy dates, such as full and new moons, eclipses and meteor shower peaks, as well as national park festivities and more. Includes 14 astro-landscape photographs from the National Parks at Night instructors.

25 percent off with discount code “BFGIFT25” through November 30.

Night Photography Adventure Workshop

We simply love being outdoors, teaching and helping people get great pictures. Many of our Season 6 workshops are full, but we do have a few slots open on some. Our Shenandoah National Park and Blue Ridge Parkway workshops are back-to-back—either or both will be an epic adventure in the Appalachian Mountains. Charleston and Barcelona offer historic and urban night photography experiences. Or delve into Lightroom and Photoshop with our summer Post-Processing Intensive in Seattle.

Books

Looking for some national park and night photography inspiration and education that you can always have at your fingertips? Choose from one of four books written by members of the NPAN team!

  • Photographing National Parks by Chris Nicholson is a portable and concise look at each of our national parks and how to best capture them. Includes best locations, times and great info on each park to help you plan your next adventure.

  • Have someone new to the night? Gabriel Biderman and Tim Cooper’s book Night Photography: From Snapshots to Great Shots (now in its third printing) is an introduction to nocturnal photography, and it inspires you to get out there and seize the night!

  • Want an even deeper dive into the night? Lance Keimig’s book Night Photography and Light Painting: Finding Your Way in the Dark has long been the ultimate tome for those interested in immersing themselves in the genre. The latest edition has an amazing chapter on the history of light painting and does an excellent job of balancing theory, history and enthusiasm for taking your night visions to the next level.

  • Light painting is the most creative expression in night photography, and Tim Cooper’s ebook The Magic of Light Painting is a detailed exploration of all the illuminating possibilities that can happen when we practice the craft.

e-Books

Help your photographer friend or loved one level up on knowledge with one of NPAN’s two e-books. Three Legs to Stand On is an all-encompassing guide to buying, outfitting and using tripods. Great Balls of Fire offers everything one needs to know about scouting, planning, executing and processing a meteor shower shoot. Best of all, you can name your own price!

Nikon

D780 Camera

The Nikon D780 may be the last DSLR you ever buy. It might also be the last one you need. This long-awaited replacement for the venerable D750 does not disappoint, with outstanding ergonomics, weather sealing, overall build quality, improved image quality, better live view in low light, robust still and video features, and (finally!) extended shutter speeds down to 15 minutes plus Bulb. If you prefer the traditional DSLR form over mirrorless cameras, the D780 is our No. 1 pick.

Nomatic

McKinnon 35L Camera Backpack

There is a new bag company in town and their name is Nomatic. They have been making everyday bags for several years but early in 2020 teamed with Peter McKinnon to launch the ultimate 35L Backpack. Watch out for this one—you can pack the kitchen sink! It’s a 35L bag, but is expandable to 42L and has a host of organizational accessories to keep you in check. Our favorite accessory is the 21L Cube that expands to serve as an amazing lightweight daypack. This makes it easy to haul everything in the 35L with a versatile 2-in-1 bag combo!

See PDF version of the gift guide for an exclusive offer.

Official Exclusive

Photography Pins

Decorate a camera bag, vest, jacket, hat or whatever with these fun Photography Pins. Covering both modern and retro, show off a love of cameras, film, tripods, drones and just about any other photography-related gear. Nearly a couple hundred to choose from!

Palette Gear

Monogram Studio Console

Work more efficiently and more intuitively in Lightroom and Photoshop with a Monogram console of creative controls such as buttons, sliders and dials. The Studio Console package is designed for photo-editing workflows—five modules to help speed up processing, organizing and more.

Parks Project

National Park Pennants

All the hip kids are wearing Parks Project gear, and for good reason. The company’s passion to promote, protect and preserve public lands has garnered collaborations with National Geographic, Rumpl and others in its collections of home goods, gifts and clothing. They have a lot of great products, and we’re partial to the old-school National Park Pennant—available for teams Yosemite, Yellowstone, Great Smoky Mountains and Joshua Tree. And if you need something to wrap any of this guide’s gifts, check out the Iconic Parks Wrapping Paper.

PHOTTIX

Aion Intervalometer

The one intervalometer to rule them all. The Aion is universal because it comes with all the cables you’ll need (Nikon, Canon or Sony) and can be used wired or wirelessly up to 200 feet away. Yes, you can set it to rip hours of meteor showers, but even nicer is that you can dial it down to one-tenth of a second for the ultimate in exposure accuracy, which is really important when using NPF-calculated shutter speeds for star points.

See PDF version of the gift guide for an exclusive offer.

PhotoPills

Photography Scouting App

By far the best phone app for photography. Period. PhotoPills is an all-in-one scouting tool that helps photographers plan and execute their images in a wide variety of situations. Individual apps (pills) track, calculate and illustrate the paths of the sun, moon and Milky Way, as well as list the different twilights and magic hours. Just in case that’s not enough, PhotoPills can help determine star-point exposures and hyperfocal distances, and can compute parameters needed to collect sequences of images to create time lapse videos. A truly dense app, this amazing tool is indispensable for any type of photographer.

50 percent off through November 30, 2020.

Rumpl

National Parks Collection Blankets

As we cuddle on the couch this holiday season and dream of the places we will go, why not avoid the chill with a National Parks Collection Blanket? Snuggle up to the Valley in Yosemite, Prismatic Spring in Yellowstone, very soft Joshua Trees under a dusky sunset, the tangerine and red spectrum of the Grandest Canyon of them all, or a bighorn sheep overlooking an alpine valley in Rocky Mountain. Puffy and warm, with full graphics on one side and a complimentary solid color on the reverse.

Shackleton London

Frank Hurley Photographer’s Jacket

For those who are super-serious about photographing in extreme weather (down to -13 degrees F) comes the Frank Hurley Photographer’s Jacket, aptly named for the photographer from the famed Imperial Trans-Antarctic Expedition, the first attempted land crossing of the most southern continent. Ergonomic construction enables free movement while maintaining warmth and dryness, keeping the wearer nestled in goose down surrounded by graphene lining. Ten internal-access pockets allow for storing small gear and accessories for secure but easy access. Not to mention—it’s stylin’!

Syrp

Genie Mini II Pan & Tilt Kit

If you want to take your time lapses from “cool” to “wow!” then check out this tripod topper. Offering three-axis motion control that can be programmed from a smartphone app, the Genie Mini II Pan & Tilt Kit will unlock Milky Way-chasing time lapse videos. It’s a motorized gimbal coupled with a motorized panning device small enough to pack in a camera bag.

On sale at B&H Photo.

Tenba

Roadie Hybrid Roller 21

Being on the go with gear can be a challenge, especially when you need to navigate through terrain as varied as airport terminals and boulder-strewn landscapes—on the same trip! Tenba is here to help, with one of the most versatile bags you could use to carry your cameras and lenses (and laptops, accessories and more). Roll the Roadie Hybrid Roller 21 on hard surfaces, and when that won’t do, pull out the fold-away straps to convert it to a backpack.

See PDF version of the gift guide for an exclusive offer.

Tether Tools

ONsite USB Type-C 87W PD Battery Pack

Keep gear and laptops powered with the new ONsite USB Type-C 87W PD Battery Pack. Match it to a Case Relay and have enough power to last for 2 to 3 nights of time lapses, or get two full charges into most laptops. The 26,800mAh battery has 1 USB Type-C port and 2 USB Type-A ports to keep multiple devices powered throughout many nights to come.

Free ONsite AC Wall Charger with purchase at B&H Photo.

Tim Cooper Photography

Photography Training Videos

Our very own Tim Cooper is one of the premier instructors in photography, and his passion and enthusiasm are available at home with his in-depth Training Videos. Brush up on your DSLR basics, understand the essentials of light or learn Lightroom efficiently with these must-have tutorials for every photographer. Enjoy learning at your own pace with Tim and maximize your image potential.

Universal Workshop

Zodiac Wavy Charts

See all the astronomical events of 2021 in one stunning graphical Zodiac Wavy Charts poster. Each month is depicted by a sine wave that follows the motion of the sun, moon and planets. At a glance, spot planet oppositions, eclipses and more, all while adding a unique and vibrant touch to decor.

Vallerret

Skadi Zipper Mitts

The Skadi Zipper Mitt from Vallerret is a mitten-glove combination designed for deep winter conditions. A waterproof zipper opens to allow the mitten to be folded back and held in place with magnets, revealing the touch-sensitive inner glove which is made from Merino wool. Long jersey cuffs keep the cold off your wrists, and there is ample room for a hand warmer when needed. There’s even a small storage compartment and wrist straps so you can take them off without putting them down for delicate work.

See PDF version of the gift guide for an exclusive offer.

Walkstool

Comfort 45 Large Folding Stool

We’ve been inspired by several of our astute workshop attendees who bring folding chairs to make their experience during long exposures under the stars a bit more comfortable. We’ve tested a bunch ourselves and found the Walkstool Comfort 45 Large to be the perfect balance to hold our weight yet be comfortable and collapse down into something incredibly lightweight and portable. Smartly designed in Sweden, the Walkstool 45 will hold up to 440 pounds through many star trails.

See PDF version of the gift guide for an exclusive offer.

Wander Club

Dated US National Park Tokens

When we visit national parks, we collect memories. We can also collect mementos—reminders of our time in beautiful places. The Wander Club can help with the latter part. Visit their website to create customized Dated US National Park Tokens with park names and years of visits, and collate them onto a necklace or keychain. A constant reminder of pursuing an outdoor passion.


Note: Remember, this gift guide is also available as a free downloadable PDF, with lots more photos and a ton of discount codes. Download yours today!


UPCOMING WORKSHOPS FROM NATIONAL PARKS AT NIGHT

Five Questions: Meteor Shower in Death Valley, Leveling Bases, Coast Flashlights and More

If you have questions, we like to try to have answers. Below are five examples.

This installment of our “Five Questions” series features inquiries about photographing meteor showers in Death Valley National Park, diffusing an LED panel, saving stacked files, Coast flashlights and using leveling bases for panos.

If you have any questions you would like to throw our way, please contact us anytime. Questions could be about gear, national parks and other photo locations, post-processing techniques, field etiquette, or anything else related to night photography. #SeizeTheNight!


1. Meteor Shower Locations in Death Valley

Moon over Mesquite Flat Dunes, Death Valley National Park. © 2016 Chris Nicholson. Nikon D5 with a Nikon 17-35mm f/2.8 lens. 10 seconds, f/5.6, ISO 3200.

Question:

My wife and I and our two dogs are going to Death Valley National Park to shoot the Geminid Meteor Shower in December. Finding a foreground subject is going to be a challenge because the radiant is relatively high (72 degrees according to PhotoPills). Here is a list of potential foregrounds I have come up with: Mesquite Flat Dunes, twenty-mule team wagons, Ashford Mill, Keane Wonder Mine, Twenty Mule Team Canyon, Badwater Basin, the palm grove at Furnace Creek Ranch. Any thoughts would be much appreciated. — H.J.

Answer:

Yay! What a great idea. We love photographing meteor showers, and we love Death Valley.

As for locations: If you want the radiant in the frame, you’re looking for a view toward east-northeast. With that in mind …

  • Mesquite Flat Dunes always works. Be ready to walk in a bit to find dunes without footprints. Also be ready (food, water, second camera) to stay out there, because you’re likely not going to be walking back and forth to the car.

  • Twenty-mule team wagons: I assume you mean the ones at the Borax Museum. I wouldn’t shoot there. The wagons are surrounded by a fence. Also, the east-northeast view will have the road in the background of your frame, and being so close to Furnace Creek, cars will definitely be driving through.

  • Ashford Mill could be interesting. You could get an east-northeast angle from behind the structure; the road would be in the background, but I’d be surprised if another car goes back there at night. The downside is that there’s not a lot of variation to the location. It’s primarily just two structures, and one of them is more visually interesting than the other. I’d definitely scout it in daytime before committing to a night shoot there, because it’s just isolated enough so that changing locations midstream would be impractical.

  • Keane Wonder Mine is a fun location generally, but you’d have a tough time finding a good east-northeast angle.

  • I love shooting in Twenty Mule Team Canyon. Interesting rock formations that aren’t difficult to navigate on foot, and plenty of foreground material from east-northeast angles.

  • Badwater Basin is great any time of day or night, but it wouldn’t be the easiest spot for this particular shoot. From any east-northeast angle you’ll have either the parking lot and/or road in the background, so you’ll be dealing with headlights. My other concern is that when the shower is peaking, the radiant will be so high that you’ll need to be pointing upward with a wide-angle lens. That would minimize any flat foreground at the bottom of the frame. I’m sure there are creative ways to make it work, but my hunch is that making it work well would be challenging, so I’d definitely day-scout any ideas before trying.

  • The palm grove at Furnace Creek is an interesting place to shoot, but there’s a lot of artificial light in the area. You’d need to fight with that to find a balance that would work with star captures.

Golden Canyon, Death Valley National Park. © 2020 Chris Nicholson. Nikon D5 with a Nikon 24-70mm f/2.8 lens. 43 stacked images shot at 4 minutes, f/4, ISO 400.

Here are a few spots I like besides what you’ve mentioned:

  • I’d consider the Wildrose Charcoal Kilns. The caveat is that it will be cold up there in December, and there’s even a chance the road will be snowed in, so I’d ask a ranger before committing to the drive. But you’d surely find an east-northeast view you like, with a very interesting foreground.

  • The east-northeast view at Ubehebe Crater is spectacular. It would be cold up there at night, but the east-northeast view is also right next to the parking lot, so you could wait out the exposures in your warm car if needed. However, the crater is very dark without moonlight, which you won’t have on the peak nights, so you’d probably want to get a twilight exposure to blend in. That would require some precise positioning and waiting around for quite a while without moving the camera. Also, the rim of the crater sometimes gets too windy for even a tripod, so there’s a possibility you’d have to abandon the location mid-shoot.

  • Golden Canyon could be fun. Steep walls, but you’ll be pointing up anyway. Also, it’s close to the services at Furnace Creek.

Good luck, and please let us know how this goes! We would love to see the results. — Chris

Note: If you’re also interested in getting out to shoot next month’s Gemenids, be sure to pick up a copy of our e-book Great Balls of Fire: A Guide to Photographing Meteor Showers.

2. Viola Diffusion

Question:

I have been playing with the Luxli Viola for few months. Do you ever use the diffuser for it? Any tips on using it? — Steve W.

Answer:

I do use the diffuser on occasion, and sometimes even add a piece of neutral density gel inside if I’m looking for the subtlest kiss of light. Mostly, I pull out the diffuser when I’m aiming for a subtle natural effect, or for night portraits.

Another great tool to diffuse the Viola is a 2- or 3-foot square scrim that mimics the effect of a softbox. That’s not always practical on location, and it requires some additional grip equipment, but it is a nice option to have. An old picture frame with a piece of white sheet stretched across it is all it takes! — Lance

3. Saving or Deleting Files for Stacking

Question:

How do you manage the number and size of photo files when stacking? For example, Starry Landscape Stacker uses TIFF images to combine into one huge file. Can I delete those individual files and keep just the final image? When I create a stack in Photoshop, can I delete the images the final photo is composed of? — Sue W.

Answer:

For Starry Landscape Stacker or any other program that creates JPEGs or TIFFs to bring them into their program: Once you finish your processing and are 100 percent happy with it, you can definitely delete those individual JPGs/TIFFs. Save yourself some storage! However, if you do that, make sure you have the final file organized somewhere that makes sense to you. I typically will import this new TIFF into Lightroom, where I can do a final edit and store it in my catalog.

However, there is a caveat: What if you want to re-process the idea later? For example, I just recently revisited and reprocessed my “Road to the Milky Way” image that I originally worked on two years ago. I still had all those individual TIF files in a folder on my hard drive—that was a time-saver for me, because I didn’t have to re-export them all.

Road to the Milky Way. © 2019 Gabriel Biderman. Nikon D5 with an Irix 15mm f/2.4 lens. Foreground: 13 minutes, f/2.5, ISO 1600; background: nine frames shot at 25 seconds, f/2.5, ISO 6400 and stacked in Starry Landscape Stacker.

So there can be benefits to keeping or deleting those raw materials. The key is that whatever you do, have them organized. Whenever I create JPGs or TIFFs for third-party software or any other use, I always store them in a subfolder that is clearly marked so that I can find them down the road.

If you do delete those images, be sure you are deleting only those exported files—not your original RAW files.

Stacking in Photoshop is a different matter. For this you’re not creating multiple exported files and importing them, you’re instead opening a new Photoshop file with all those images as layers. This creates one very large file. So the question isn’t really about saving lots of individual files, but rather whether to save one giant file with tons of layers or to flatten the layers and save a smaller file. That’s a personal choice, and can be affected by circumstances.

I try to get all my layer editing adjustments done in one take, then flatten the file and save it back to Lightroom. However, if I am not done editing, or if I want to keep a version to revisit at a later date, I’ll save the layered file as a PSB (Photoshop’s large-file format), which Lightroom can absorb as part of the catalog. — Gabe

4. Value of Coast Flashlights

Question:

In your gear list and blog posts you pretty much always mention the Coast HP7R, Coast HP5R or another Coast flashlight for light painting. I’m curious why. If I have another brand of flashlight that has the same lumens output, what’s the difference? — Lynn

Answer:

You can use just about any flashlight for light painting, but we like Coast for the quality of the light (i.e, the high CRI value), as well as the precision of the focusing. Most flashlights have a lot of “spill” around a bright center spot, but Coast lights have a patented focusing mechanism that concentrates the light more intensely, as well as evenly across the beam with less spill around the edges. This makes for much more control when light painting. — Lance

5. Is a Leveling Base Redundant?

Bryce Canyon pano. © 2019 Matt Hill. Nikon Z 6 with a Zeiss 15mm Distagon f/2.8 lens. 14 stitched frames shot at 16 seconds, f/2.8, ISO 6400.

Question:

I read your blog post on night panoramas and I have a question. I have a Really Right Stuff TVC34L tripod with a BH-55 ball head, both with levels. Do I also need a leveling head? — Brien

Answer:

Technically you do not need to have a leveling base if your tripod gets leveled first. After that, anything mounted to it will pan without tilting to the left or right.

However, sometimes it’s annoying to have to separately adjust three legs to level the tripod, especially on uneven ground. Seriously. That’s the moment you wish you had a leveling base. It’s pretty much always faster to level with one. I find them invaluable when I’m serious about shooting for pano stitching.

If you shoot panos only occasionally and you’re willing to tolerate the minute adjustments to legs and then checking the bubble level on top of the tripod over and over, then no sweat—it can be tedious, but it’s easy enough. But if panos are going to be a regular thing for you, a leveling base will improve the experience.

For the record, I use the Acratech Leveling Base. I love it. — Matt

Chris Nicholson is a partner and workshop leader with National Parks at Night, and author of Photographing National Parks (Sidelight Books, 2015). Learn more about national parks as photography destinations, subscribe to Chris' free e-newsletter, and more at www.PhotographingNationalParks.com.

UPCOMING WORKSHOPS FROM NATIONAL PARKS AT NIGHT

How I Got the Shot: Moon Over Alabama Hills

Moon Over Alabama Hills. Nikon Z 6 with a Nikon Z 24-70mm f/4 lens, light painted with a Luxli Viola. Two stacked frames shot at 5 minutes, f/8, ISO 200 (foreground) and 10 seconds, f/8, ISO 6400 (sky).

The Location

Alabama Hills National Scenic Area encompasses a range of rock formations to the east of California’s Sierra Nevada Mountains. It’s a huge draw for people with cameras of all sorts. Television and movie productions—especially Westerns—have been filmed there since the 1920s. Photographers have been going there since landscapes were a thing to shoot. And night photographers (light painters in particular) love the rocky scenery and the very dark skies.

Mobius Arch, Alabama Hills. A great example of the area’s fantastical scenery. Canon EOS-1DS with a 16mm lens. 1/90, f/13, ISO 100.

The Moon

For many, the moon is an unwelcome addition to our night sky. Its presence makes nighttime landscapes look like day, overpowers the Milky Way and obscures all but the brightest stars. But while initially the moon may seem like a problem, it can also provide opportunities for other styles of night photography. In addition, embracing moonlight will expand your shooting time to more than just the one moonless week every month.

One aspect of shooting with the moon present is accepting you’ll have fewer stars in the sky. That’s OK. You can create star-filled skies later in the month, during a new moon. Brighter moonlit situations give us a chance to put more emphasis on the landscape instead of the sky.

Begin by choosing compelling subjects that you might photograph during the day. For example, I’ve always been fascinated by the metamorphic rock found throughout the Alabama Hills in the High Sierra. In this image I really wanted to emphasize both the texture and the gentle curves of these magnificent formations. Last month’s waxing gibbous moon provided exactly this opportunity.

The Ambient Exposure

My goal was to accentuate the foreground shapes and to have the moon render like a starburst. So first (as usual) I began by using ISO 6400 for a series of test shots. This allowed me to fine-tune my composition and to determine my base (ambient) exposure of 10 seconds at f/8.

This exposure was short enough for the moon to remain round and for the stars to render as dots rather than dashes (Figure 1). Also, using a 24mm wide-angle lens allowed me to create a starburst effect without having to stop down too much (the longer a lens is, the more you need to stop down to create the star effect).

In short, 10 seconds, f/8, ISO 6400 was a perfect exposure for the sky, stars and moon.

Figure 1. The relatively short exposure kept the moon round and the stars sharp. A longer exposure would have had the opposite affect: The moon would have become oblong and the stars would have begun to trail.

The Light Painting

Once the ambient exposure was established, I began looking at how the light was illuminating my foreground. The full moon over this small cliff face created the perfect backlighting to accentuate the curves and texture of the foreground rocks. However, it also put the entire cliff face into shadow.

To fix this problem I placed a tripod with a Luxli Viola light panel just off camera-right, about 30 yards in front of me. This placement provided texture-revealing sidelight on the cliff face and helped fill in the foreground shadow (Figure 2).

The next step was to balance the Viola with the moon. I began by setting the panel’s brightness to 25 percent. But … oops! That made the image look fake, as the exposure on the back wall was way too bright. I lowered the setting to 12 and shot again, which provided just the right amount of light to make the scene somewhat more believable.

Figure 2. The sidelight from the Luxli Viola brings out the texture in the cliff face.

The Color Temperature

The next problem to solve was the color. For most night photography (including moonlit scenes) I set my camera’s white balance to 3800 K. This renders the sky to my tastes. Remember though, white balance is quite subjective. Some folks like night skies to appear more blue, while others like a more neutral sky. There is no right or wrong. You should always consider white balance suggestions as a starting point.

Because I was using a camera white balance setting of 3800 K, I set my Luxli’s color temperature to 3800 K to match. After a couple of more test shots I realized that this setting made the added light a bit warmer than the moonlight that was kissing the foreground. Increasing the Luxli’s color temperature to 5500 K better matched the color of the moonlight, which made the whole scene appear a bit more natural.

The Final Frame

I had shot all my test frames with an ISO of 6400 to shorten the time between tests. But while ISO 6400 was great for the sky and testing, I wanted a higher-quality, lower-ISO exposure for my foreground rocks. For this I turned to the Six-Stop Rule.

The Six-Stop Rule is a shortcut to translate a short, high ISO test exposure into a longer, low ISO exposure. The rule is simple: The amount of seconds it takes to create a good exposure at ISO 6400 equals the number of minutes at ISO 100. For example, 10 seconds, f/8, ISO 6400 equals 10 minutes, f/8, ISO 100. Both of those exposures allow the same amount of light to hit the sensor.

In this case, I didn’t want to wait 10 minutes, so I used an equivalent exposure of 5 minutes, f/8, ISO 200. Using this exposure didn’t change anything about the lighting. Because both the moonlight and the Luxli are constant light sources, lowering the ISO and lengthening the shutter speed provided identical exposures where the light level looked exactly the same. The only difference, of course, was that the longer exposure showed movement in the stars and moon.

Putting it All Together

The final image. Moon Over Alabama Hills. Nikon Z 6 with a Nikon Z 24-70mm f/4 lens, light painted with a Luxli Viola. Two stacked frames shot at 5 minutes, f/8, ISO 200 (foreground) and 10 seconds, f/8, ISO 6400 (sky).

Many times the final image comes together with advance knowledge of how you’ll proceed, while other times the creation process evolves during the process. In this case, a bit of both happened.

I knew I wanted to use the moon as the main light to accentuate the foreground rocks and also to create a moon star and keep the stars sharp. I achieved that through the initial ISO 6400 test images. During those tests, I realized that I needed to add some fill light to the back wall in shadow. So out came the Luxli light panel. Setting the light panel to the same color temperature as my camera produced a warmer light than the moon was providing, so I upped the K setting to 5500.

After lowering the ISO to create a higher-quality rendering of the rocks and wall, the last step was in Photoshop: A simple layer-and-mask blend of the foreground and background.

Tim Cooper is a partner and workshop leader with National Parks at Night. Learn more techniques from his book The Magic of Light Painting, available from Peachpit.

UPCOMING WORKSHOPS FROM NATIONAL PARKS AT NIGHT