Toys and Tinsel: Our 2022 Holiday Gift Guide

Here we are again. Another year almost over, another season of thanks and joy upon us.

Along with the season of greetings comes the season of giving, and as we have every year since 2016, we’re here to help with ideas for the night photographer in your life.

We try to mix and match—some things photography, some things national parks; some things serious, some things fun; some things lofty, some things modest. Over 35 products carefully curated for you and yours. There should be something here for every night photographer on your list.

This is our gift to you: to help you find something special for someone special. Your gift to us? You’ve already given it. Thank you for being you, and for being here.

In addition to the blog post below, we’re also providing this gift guide as a free downloadable PDF e-book, so you can read it and reference it on any device, anytime, anywhere. Inside you’ll find products from major brands such as B&H Photo, BenQ, Bay Photo and Vallerret, along with great little finds from smaller companies and startups.

In addition to the product information, the e-book version includes a lot more photos, as well as special discount codes and offers.

Download your copy today by clicking here:

Note: If you decide to purchase any of the items in this gift guide, please consider using the links included, as many generate a small commission that helps us improve the National Parks at Night workshop program.


Acratech

Panoramic Head

Love shooting Milky Way panos? Acratech is here to help! Their Panoramic Head facilitates shooting single- or multi-row panos. It has large-numbered degree scales on both the base and the tilt axis so you can make precise movements between panels. Moreover, the head weighs less than 1 pound and supports over 25 pounds of a camera-lens combo.

Special offer: 10 percent off all Acratech Panoramic Head variants at B&H Photo with promo code “NPANGIFT22.” Valid through December 19, 2022.

Adonit

PD-3A2C Universal World Travel Adapter

We learned about the compact and lightweight PD-3A2C Universal World Travel Adapter from a workshop attendee, and now we always carry one. It’s an ideal all-in-one replacement for most of your individual chargers, featuring two USB-C and three USB-A ports, plus pass-through AC for your laptop. Pairs perfectly with modern multi-voltage power supplies in over 150 countries.

Apple

AirTag

Did the airlines lose your luggage on your last trip? Regrettably this became a common refrain among travelers this year. Several of us at National Parks have been using the Apple AirTags to keep track of our bags during recent flights, and we love them. Using a unique network of connected Bluetooth devices, AirTags can help you locate your luggage when the airlines can’t or won’t. Buy a four pack and use the extras for your keys, backpacks, etc.

B&H Photo

Gift Card

If you don’t know what to give the photographer in your life, then give the gift of choice from the world’s best camera store, B&H Photo. With a gift card they can pick any camera, lens, computer or whatever they desire, and will have you to hug and thank for it.

Bay Photo

Wall Display

A photograph isn’t truly complete until it’s been printed, and we love the prints from Bay Photo Lab. Get the photographer in your life their favorite image printed for their wall. Choose from a plethora of wall display print surfaces, including metal, canvas, acrylic, wood, paper and more.

Special offer: 20 percent off one order of select wall display prints from Bay Photo Lab with promo code “NPAN22.” Valid until December 13, 2022.

BenQ

SW321C

For a real Wow Factor in the home office or editing studio, not to mention a super-resolution display for viewing hard-won images, the BenQ SW321C can’t be beat. Its 32-inch size gives lots of real estate for examining and editing photos, and it comes complete with all the advantages of all BenQ photo monitors: 99 percent of the Adobe RGB color gamut, 10-bit support for 1.07 billion colors, crystal-clear rendering of image pixels and more.

Special offer: $100 off the BenQ SW321C at B&H Photo with promo code “NPANGIFT22.” Valid through December 19, 2022.

Big & Little Parks

Night Stickers

Sticker culture is alive and well, as is astro-tourism, and Big & Little Parks is celebrating the junction of the two with a variety of night-sky national park stickers. Decorate your water bottle, your laptop, your whatever with a beautiful sticker of Canyonlands, Death Valley, Joshua Tree or others.

Books

NPAN bookshelf

Does the photographer in your life relish great photography books? In addition to the few specific tomes and monographs mentioned in this guide, the National Parks at Night Bookshelf catalogs over 100 of our instructors’ favorite volumes. Explore titles related to instruction, travel, photography history, photography collections and more. You’re sure to find a book for anyone who loves the art.

Bug Bite Thing

Venom Extractor

Traveling to natural spaces is an amazing experience, but has a notable downside: potential bug bites and stings. To treat them, we’re loving this new product: the Bug Bite Thing! Brought to our attention by one of our regular workshop attendees, it’s become a staple in our bags. Bit by a mosquito? Stung by a bee? This lightweight, easily stowable gadget uses suction to remove the venom from the skin, reducing itchiness and quickening the healing process.

Calibrite

ColorChecker Passport Duo

For those who shoot both video and photography, night and day, Calibrite offers the new ColorChecker Passport Duo. This awesome protective clamshell houses four panels for photographers capturing on-site camera calibration profiles, white balance, proper exposure and color for video. For landscape photographers, these tools can ensure a consistent and neutral workflow that leaves room for more creativity and less frustration.

Coast Portland

G20 Inspection Beam

Night photographers need good flashlights, and not just high-powered ones for light painting. We also need gentler tools for looking into our bag and seeing or way in the dark without ruining our night vision or washing out a neighboring photographer’s long exposure. Enter Coast Portland’s G20 flashlight, which focuses a relatively dim and cool light that’s perfectly discreet.

Duduho

Galaxy Apron

For the night photographer who’s also an artist in the kitchen, what better way to keep clothes clean than an apron donned with the Milky Way? The unisex Galaxy Apron is made of high-quality waterproof fabric with adjustable neck and waist straps. It’s a necessity for making a dinner that’s out of this world.

DxO

PureRAW

Night photography is all about pushing the limits of our cameras, and one of the side effects is high ISO noise. While some post-processing techniques can reduce the effect, none eliminate it. But PureRAW is different. This software from DxO employs what they call “pre-processing” raw files to remove noise before working on photos in Lightroom, Photoshop or other editing solutions. This technology is nothing short of disruptive—it will change how night photographers approach noise, allowing for highly improved night images.

Everglades Seasoning

Dry Rub

We found this Everglades Seasoning right outside one of our favorite national parks: aptly, Everglades, during a workshop no less. The Cactus Dust flavor has found a regular spot on our homemade chicken wings, but all of them are worth a rub onto any chicken, steak or fish. Taste the unique flavors while dreaming of long winter nights in the swamps and marshes of Florida’s famous park.

Getaway

Cabin Adventures

Getaway maintains a network of natural-space cabins around the U.S., all within 2 hours of major cities, but far out into dark-sky areas. The Cabin Adventures cabins feature all you need to get by, plus outdoor amenities such as a fire pit. But the coolest feature of all? The to-the-ceiling plate glass bedroom windows that allow you to gaze at nature and the stars as you fall asleep.

Irix

45mm f/1.4 Dragonfly

Irix keeps delivering the innovation we’ve come to expect. One of the more recent additions to their lineup of lenses is the supersharp 45mm f/1.4 Dragonfly. Its near-normal focal length is perfect for filling the background with the Milky Way, and the lens is almost coma-free even when shot wide open.

Special offer: $115 off the Irix 45mm f/1.4 Dragonfly at B&H Photo through November 28, 2022.

Ken Lee

Music Album

Ken Lee is an amazing night photographer based in California, and the author of two (and counting) night photography books. He also writes and records music—“trippy otherworldly music,” in his words— under the artist name Eleven Shadows and The Mercury Seven. His music has been featured on various MTV programs, the BBC, NPR, XM Radio and more. Eleven Shadows’ most recent release is The Seahorse in the Center of Your Mind, available for purchase and download. Perfect background music for night photography and editing.

LaCie

Rugged SSD PRO

For the hardcore approach to a sturdy travel hard drive, look at the Rugged SSD Pro. Holding from .5 to 4 TB, this Thunderbolt 3 External SSD offers data transfer speeds of up to 2800 MB/s. It features a durable exterior with 2 tons of crush resistance and resistance to dust and water. Serious speed, serious capacity, for the serious road-warrior photographer.

Special offer: $30 to $350 off the LaCie Rugged SSD Pro at B&H Photo through the end of 2022.

Ledlenser

P2R Work Flashlight

Ledlenser’s Work series of flashlights are uniquely suited for night photography due to their high CRI (color rendering index) and relatively warm white balance. Several of us have made the P2R Work our go-to light both for lighting and navigation due to its versatility and compact size. It is rechargeable, has three power settings, and conveniently comes on at a 15-lumen Low setting that is perfect for astro-landscape environments.

Light Painting Brushes

Holographic Sword

At 2 feet long, the Holographic Sword enables a light-writing photographer to create unlimited effects in the background or foreground. Blacked out on the side, and capable of showing all the colors of the rainbow from the front, the sword gives complete creative control to its wielder. Paired with the Universal Connector, it can be used with hundreds of different flashlights on the market.

Luxli

Fiddle Pocket LED 2-Light Kit

Since the day they were launched in 2017, we’ve been among the biggest fans and supporters of Luxli’s unparalleled line of LED panels, and we use them even more than we preach them. So we worked with B&H Photo to create a kit of the tools that we most often use together, dubbed the Fiddle Pocket LED 2-Light Kit. It includes two each of the Luxli Fiddle, magnetic honeycomb grid, Manfrotto Carbon Fiber Nanopole Stand and Oben BD-02 Mini Ball Head, and one magnetic diffuser hood. Everything you need to begin and master Low-level Landscape Lighting.

Special offer: 10 percent off the Fiddle Pocket LED 2-Light Kit at B&H Photo with promo code “NPANGIFT22.” Valid through December 19, 2022.

Manfrotto

ProCUBE Professional Twin Charger

Double-charge your batteries! Manfrotto’s ProCube will get a photographer out shooting again faster, charging two batteries simultaneously. An LCD shows how much each battery has been replenished, as well as a battery health check. The unit can also power up rechargeable AA batteries, and has a USB output for charging phones and tablets. Options available to recharge various models of Nikon, Canon and Sony batteries.

Special offer: 10 percent off the Manfrotto ProCube at B&H Photo with promo code “NPANGIFT22.” Valid through December 19, 2022.

Move-Shoot-Move

MAK 90 Telescope

For the photographer who wants to study or shoot celestial objects, Move-Shoot-Move’s MAK 90 telescope is a great beginner’s tool. Its 1250mm focal length with a compact body is achieved with catadioptric mirrors and allows for narrow field observation at a fraction of the cost, length and weight of refractor (glass-lens) telescopes.

National Park Service

America the Beautiful Pass

National parks are the backbone of what we do, and are among the very best places in the U.S. for night photography. For only $80 you can purchase the America the Beautiful annual park pass, which grants access to more than 2,000 recreation areas managed by five federal agencies. Moreover, the proceeds are used to improve and enhance visitor recreation services at these sites all across the country.

National Parks at Night

Night Photography Adventure Tours

Send the photographer in your life on the adventure of a lifetime, crafting images under the night skies of some amazing destinations. Tickets are available for several National Parks at Night adventures:

Or if none of those sound like the perfect gift, then how about Online Tutoring?

Books by Our Instructors

Looking for some national park and night photography inspiration and education that you can always have at your fingertips? Choose from one of four books written by members of the NPAN team!

  • Photographing National Parks by Chris Nicholson is a portable and concise look at each of our national parks and how to best capture them. Includes best locations, times and great info on each park to help you plan your next adventure.

  • Have someone new to the night? Gabriel Biderman and Tim Cooper’s book Night Photography: From Snapshots to Great Shots (now in its third printing) is an introduction to nocturnal photography, and it inspires you to get out there and seize the night!

  • Want an even deeper dive into the night? Lance Keimig’s book Night Photography and Light Painting: Finding Your Way in the Dark has long been the ultimate tome for those interested in immersing themselves in the genre. The latest edition has an amazing chapter on the history of light painting and does an excellent job of balancing theory, history and enthusiasm for taking your night visions to the next level.

  • Light painting is the most creative expression in night photography, and Tim Cooper’s ebook The Magic of Light Painting is a detailed exploration of all the illuminating possibilities that can happen when we practice the craft.

Nightscaper Photo Conference

Conference Ticket

What more could a night photographer want than to spend a few days under the beautifully dark night skies of Kanab, Utah, rubbing elbows with and shooting alongside like-minded individuals? A ticket to the Nightscaper Photo Conference is a ticket to coming together with some of the most passionate minds in the niche. Four days and nights together, learning and shooting among the stars. May 18-21, 2023.

Special offer: Limited number of early-bird tickets remain.

Noso Patches

Nylon Repair Patches

We love our national parks! And getting out and playing in them sometimes takes a toll on our nylon clothing. The folks over at Noso have created a solution: a line of waterproof, durable, lightweight and flexible no-sew Nylon Repair Patches. Simply peel off the backing, cover the damaged area and hit the patch with a blast from a hair dryer. Voila, the repair is done! Best of all they have a whole line of national park patches in addition to their standard and artist series versions.

Novoflex

TrioBalance 4-Section Carbon Fiber Compact Tripod

Nice and tall at 50.2 inches, the TrioBalance is an ideal travel tripod. The built-in leveling ball makes setup a breeze for panorama and tracking, and can even be used in place of a ball head. The kit includes mini legs, which can be used for tabletop photography, for macro or even for setting up against a wall when space is tight. Holding up to 22 pounds, it’s ready for nearly anything you carry.

Special offer: 5 percent off the Novoflex Triobalance at B&H Photo with promo code “NPANGIFT22.” Valid November 28 to December 19, 2022.

Outdoor Exposure

TK8 Photoshop Plugin

Most photographers have heard of a luminosity mask, and many know the power of it. But few wield that power because … well, it’s just a tad tedious. Until you start using the TK8 Photoshop Plugin, which automates much of the process. Instead of spending a lot of time isolating channels to make selections, just click a button, refine a little, and you’re on your way to those powerful edits.

Special offer: 25 percent off the TK8 Photoshop Plugin at Outdoor Exposure through November 28, 2022.

Paka

The Hoodie

Yep, those long nights can sometimes get cold, but we have so many options to keep us warm. Near the top of that pile is The Hoodie from Paka. Sourced from women artisans in Peru, this comfortable sweater is as warm as it is stylish. Soft, durable and flexible, it’s made from a weave of alpaca fibers, organic cotton and recycled nylon. Available in seven sizes and three colors.

Parks Project

Insulated Water Bottle

Parks Project has all sorts of cool stuff, but one thing we love is their All Our National Parks insulated water bottle. It has a slick, eye-catching design indicative of the company’s free-spirit sentimentality. Made of professional grade stainless steel, the bottle’s double-wall vacuum insulation keeps 32 ounces of liquid either hot or cold for up to 24 hours. The company donates a portion of their profit to projects in the parks—to date, over $2.5 million—so your gift purchase gives in more ways than one.

PhotoPills

Scouting App

Give your photographer loved one the sun and the moon and the stars—all exactly where they want them. PhotoPills enables locating any visible objects in the heavens and determining exactly where and when they’ll be in the sky in any location on the globe. It does more too, from helping determine star-point exposures to calculating hyperfocal distance to figuring overlap angles for panos and more.

Pure Zen Tea

Travel Tumbler

Tea is a refined, millennia-old beverage that will keep a photographer both warm and awake under the stars. But if one is the type who prefers loose leaf to bags, making a good cup on the road can be a challenge. The Pure Zen Tea Tumbler overcomes that challenge brilliantly. The screw-on steel infuser allows ample room for quality brewing, and the BPA-free double-wall glass combined with the neoprene sleeve will keep that tea hot for an hour.

Shimoda

Explore v2 35 Backpack Photo Starter Kit

The super-rugged Explore v2 35 backpack is laid out smartly for the traveling photographer and it boasts the most comfortable harness system we’ve encountered for heavy loads and long hikes. Its adjustable shoulder harness straps make it fit perfectly for folks of different heights, and the accessory straps do the same for different body types. This kit includes a Medium DSLR Core Unit Version 2 insert, but you can also choose among the many accessory options to match load-outs. Carry-on compatible for both U.S. and international flights.

Special offer: 5 percent off all Shimoda Explore V2 variants at B&H Photo with promo code “NPANGIFT22.” Valid November 28 to December 19, 2022.

Space Art Travel Bureau

Half the Park is After Dark Posters

Tyler Nordgren is an astronomer, night photographer and astronomy artist based in upstate New York. One of his claims to fame is the famous “Half the Park is After Dark” series of promotions for the National Park Service. The fantastical posters from that series are available on Nordgren’s website. Options range far and wide, from posters for Acadia, Badlands, Carlsbad Caverns, Everglades and much, much more.

Syrp

Magic Carpet Carbon Slider

For those who want to level up their time-lapses of the night sky, a slider is one of the first items to add to the kit. Syrp weighs in with the Magic Carpet Carbon Slider. Its lightweight construction and design make it a pro-level option that’s easy to travel with, and its seamless joints allow for silky-smooth and stable movements.

Special offer: $170 off the Syrp Magic Carpet Carbon Slider at B&H Photo for a limited time.

Tether Tools

ONsite USB-C 30W Battery Pack

Stay powered up while traveling! Weighing in at 4.2 ounces and boasting full TSA compliance, the ONsite USB-C 30W Battery Pack is the perfect companion for the globetrotting photographer who needs to recharge phones, tablets, flashlights, etc., on long wanders.

Special offer: 20 percent off the ONsite USB-C 30w Battery Pack at B&H Photo through November 28, 2022.

Unemployed Philosophers Guild

Constellation Mug

This fun and nifty 10-ounce mug features a bunch of stars when cold, then reveals constellations when filled with a hot beverage. See Cassiopeia, Perseus, Sagittarius and more appear before your eyes while you drink a morning (or overnight?) coffee.

Vallerret

Merino Wool Zip Jersey

We’ve long loved Vallerret for keeping our hands warm on cold nights with their photography gloves. Now they’re keeping our cores warm too, in the form of their Merino Wool Zip Jersey. Warm, soft, flexible, odor-resistant and durable, it will keep a photographer out longer, making more art well into the night. Comes in one color: the perfect Midnight Black.

Wotobeus

Car Charger Adapter

If you travel with a hefty-battery laptop like the MacBook Pro, you sometimes need to charge on the go—and that sometimes means in the car. Not all adapters can handle the high wattage needed, so we found one that can, via USB-C: the Wotobeus Car Charger Adapter. Works with other devices too, including many PC laptops, tablets and more.

YES Watch

WorldWatch V7

An elegant timepiece with a photographer’s needs at heart. The WorldWatch V7 keeps its wearer in sync with the daily, monthly and seasonal cycles of the sun and the moon, including solstices and equinoxes, sunsets and sunrises, moonrises and moonsets, moon phases and illumination percentages, and more. The case and bracelet are made from titanium and fitted with a sapphire crystal, and the watch is water resistant to a depth of 100 meters.

Special offer: 20 percent off the WorldWatch V7 at YES Watch with promo code “NOW.” Valid through the 2022 holiday season.


Note: Remember, this gift guide is also available as a free downloadable PDF, with lots more photos and a ton of discount codes. Download yours today by clicking the image above.

Chris Nicholson is a partner and workshop leader with National Parks at Night, and author of Photographing National Parks (Sidelight Books, 2015). Learn more about national parks as photography destinations, subscribe to Chris' free e-newsletter, and more at www.PhotographingNationalParks.com.

UPCOMING WORKSHOPS FROM NATIONAL PARKS AT NIGHT

How I Got the Shot: Lunar Eclipse in a Sparkling Star Field

Portrait of a lunar eclipse. Nikon D5 with a Nikon 300mm f/2.8 lens. 32 frames shot at 1 second, f/2.8, ISO 51,200, noise-stacked in Sequator and blended in Photoshop with a moon exposure shot at 1/2 second, f/2.8, ISO 3200.

Note: We’re running this blog post today because tonight’s skies will feature the world’s last total lunar eclipse until the spring of 2025. See the end of the post for more information.

The Story

Since she was little, my daughter Maggie has been interested in astronomy. She could name the planets (in order) when she was 3. On summer nights she would lay a blanket on the grass outside, hone in on stars with my laser pointer, and ask me to look up their names in a sky-view app. In 2017 we road-tripped to see the solar eclipse, which she promptly labeled “the best thing I’ve ever done.” She was only 4, but I couldn’t disagree that the memory would remain on that list forever.

As Maggie has grown older (she’s 9 now) that interest has waned a little, somewhat supplanted by friends and music and drawing and painting and reading and swimming and making videos and any of the other hundred things that occupy her agile mind. Still, I’m never surprised when she wants to experience a celestial event—such as when she asked if we could go somewhere to see the total lunar eclipse last spring.

So we ventured to one of my favorite sections of the Blue Ridge Parkway, me toting my cameras, she toting the telescope that her grandmother and aunt had given her for Christmas.

Maggie watching the lunar eclipse through her telescope from the Blue Ridge Parkway last May.

The Location

The Blue Ridge Parkway stretches 469 miles between its northern and southern termini. That’s a long and varied destination for photography. For our experience I chose the area around Blowing Rock, North Carolina, because I know it has many valley-top overlooks, as well as the attractive landscapes of Price Lake, the Moses H. Cone estate, rolling fields, barns and so on.

Figure 1. PhotoPills’ Augmented Reality showed where the moon would be over Price Lake at the time of the eclipse.

I know the area well, as I’ve shot there many times (including with two National Parks at Night workshops). But PhotoPills scouting was still necessary because I needed to know where the moon would be during totality. Which of my favorite landscapes would be good for a moon photo at that particular time and date? I settled on Price Lake, as I could see that during totality the moon would be drifting over the tree line on the southeastern shore (Figure 1).

Alas, all good plans need a backup, especially when traveling with a kid. Maggie was bored waiting for the eclipse. We tried hunting for frogs, then hunting for spiders, then spotting fireflies. We watched the water flowing over the dam and listened for noises in the woods and guessed what made them. But these things didn’t hold her interest long enough. So, instead, we meandered up the parkway until the moon finally started to hide in Earth’s shadow, and then pulled into an overlook.

We set up her telescope, she promptly located the moon in the eyepiece, and the experience quickly became pretty freakin’ cool. She was enthralled—enough so that I knew I had time for a photo.

But from the overlook, I had no foreground worth shooting. By necessity, this would be a moon portrait, not a moonscape. I unpacked the longest lens I own, a Nikon 300mm f/2.8—a lens not quite long enough to fill the frame with the moon, but long enough so the moon would be more than just a red dot in the sky.

The Exposure

The trouble with telephoto lenses at night is that unless you’re using a hefty tracker, shooting star points is nearly impossible with one exposure. With a 300mm lens, a quick check of the Spot Stars calculator in PhotoPills revealed that I could use a shutter speed of only 1/2 to 1 second before my stars would begin to trail (Figure 2). That would require an ISO of 51,200, and that would produce way more noise than would be acceptable.

Figure 2. PhotoPills told me that to freeze the stars shooting with a Nikon D5 and a 300mm lens, I would need a shutter speed between about 1/2 second (in Accurate mode, right) and 1 second (in Default mode, left).

It also introduced a problem with the moon exposure: At 1/2 to 1 second at ISO 51,200, the moon would blow out.

So those were the two obstacles I needed to work around, and I chose two solutions:

  1. Because freezing the stars required such a high ISO, I would need to noise-stack multiple frames. This would make the final image appear as if I shot it at a lower, cleaner ISO.

  2. Because the first solution would result in the moon both blowing out and moving considerably during the exposures, I would need to shoot a separate frame of just the moon and then layer that on top of the noise-stacked frame in Photoshop.

It was time to calculate my moon exposure. The moon moves quickly—a distance roughly equal to its diameter about every 2.5 minutes. That’s why shooting even a 20-second astro-landscape exposure can result in the moon beginning to “stretch out” and look oblong. With a wide-angle lens, I rarely shoot more than 10 or 15 seconds when the moon is in the frame. Using a telephoto meant I needed to shoot even faster.

I also wanted a lower ISO for the moon so it wouldn’t look too noisy against the clean, noise-stacked stars. I shot a few tests and decided that 1/2 second at ISO 3200 resulted in a moon that would be sharp enough to look good.

The Shoot

Now all I needed to do (that night, anyway) was capture the raw materials.

One remaining concern I had was vibrations causing a soft image. Vibrations are a constant concern when working with a telephoto lens, as well as when working at night. To minimize vibration, I took the following steps:

  1. I mounted my setup on a sturdy tripod (the Gitzo 3541LS) with a sturdy, top-of-the line ball head (the Really Right Stuff BH55), and made sure everything was locked down tight. (My setup would have been even more solid if I’d used a gimbal head, but I don’t own one.)

  2. I connected a wireless shutter release (the Nikon ML-L3). This meant I wouldn’t have to touch the camera to open the shutter, and because no cable was connected, I also wouldn’t accidentally introduce vibration by touching the remote.

  3. I enabled Mirror Lockup on my Nikon D5. This feature separates the mechanics of raising the mirror from the mechanics of opening the shutter, so that the minor vibrations of the former have time to subside before the camera starts recording the image.

  4. I enabled a 2-second Shutter Delay in the camera. This feature creates a delay between when the shutter opens and when the image begins to record, again to mitigate vibration that could be caused by moving parts.

  5. I waited for any perceptible breeze to subside.

  6. I shot multiple frames, because when you do that, one frame will always be sharper than the rest.

Figure 3. The moon foreground. Nikon D5 with a Nikon 300mm f/2.8 lens. 1/2 second, f/2.8, ISO 3200.

Once I was satisfied that I had a good moon foreground to work with (Figure 3—yes, the moon is a foreground in this photo), I changed the exposure to record lots of star points. I pressed the button on the remote, locked it down, and let the camera fire off 32 frames.

(Why 32? I’ll get into this more in a future blog post that focuses on noise stacking. For now, just know that combining 32 frames in stacking software provides approximately a 5-stop improvement in apparent noise. Because I was shooting at ISO 51,200, my final result would therefore look like I shot it at about ISO 1600—i.e., 5 stops lower. I knew I would be happy with the quality of that result.)

One final note about the shoot: Because the process took a little while, the moon moved considerably. Therefore, I needed to constantly readjust the framing to keep the moon in the center. Otherwise it would have flown clear out of my composition in about 10 minutes.

The Post-Production

Once home the next day, I dumped all the images into Lightroom and got to work.

The foreground frame was easy—I just chose the one with the sharpest-looking moon. I applied some basic adjustments to get the moon to look its best (the stars weren’t important in this frame), and that was that. Done.

The next step was to noise-stack the stars. If you have a Mac, the tool for this is Starry Landscape Stacker; I have a PC, so the right tool is Sequator.

Figure 4.

I asked Lightroom to reveal the location of the first star file in Explorer (Figure 4). From that folder I selected all 32 star files, and then I dragged them into the Sequator interface. I walked through all the processing options (I’ll be writing a how-to for Sequator soon—keep an eye on this blog—but if you use a Mac, see our post on Starry Landscape Stacker), and then let the software do its thing. (I didn’t worry about masking the moon in the stack, because I knew I’d be layering over the moon for the final version of the photo anyway.)

The result was a TIFF saved into the same folder as my raw files. I needed to load that TIFF into Lightroom. I did this by navigating to the folder, right-clicking and selecting Synchronize Folder (Figure 5), then following the prompts.

Figure 5.

With the TIFF loaded into my Lightroom catalog, I applied some basic edits to make the sky look good. The result was exactly what I’d hope for—a noise-free field of sharp, bright, sparkling stars.

The only problem was that blown out moon, which I was now ready to layer over. In the Lightroom grid, I selected the moon raw file and the star TIFF by Control-clicking on both. Then from the menu I chose Photo > Edit > Open as Layers in Photoshop.

With both images layered in Photoshop, I needed to mask out the dull sky from the moon foreground to reveal the sparkling, noise-free sky behind it. I figured the Object Selection tool would pick out that moon beautifully, so I chose the tool from the toolbar, clicked and drew a square selection around the moon, and the algorithm did the rest. I had a perfectly selected moon (Figure 6).

Figure 6.

Figure 7.

At the bottom of the Layers panel, I clicked on the Add Layer Mask button. This created a mask from my moon selection (Figure 7), revealing the sharp, noise-free stars from the background layer. However, a little cleanup remained.

The first issue was that during the shoot I’d had to continually reframe to keep the moon centered, and because the moon kept moving during the series of exposures, it was in a slightly different spot from frame to frame. Therefore, the moon wasn’t lined up perfectly with itself in the layered image (Figure 8), so I had to adjust its placement. I activated the Move tool and then used the cursor keys to nudge the moon into the right place (Figure 9).

Figure 8.

Figure 9.

The second issue was that the masking process had left a dark halo around the moon. Easy fix—just needed to massage the edge of the mask to cover up that halo. I selected the mask, then from the menu chose Filter > Other > Minimum (Figure 10). Knowing what radius value is correct is just a matter of looking at the live effect (with the Preview option checked), but it’s usually a very low number. In this case, 2 looked perfect (Figure 11), so I clicked OK.

(Note that depending on what processing artifact had created the halo, using Minimum may have made the problem worse. If it had, then Filter > Other > Maximum would have worked instead.)

Figure 10.

Figure 11.

The final issue was that the sharp moon was just a little smaller than the moon in the background, due to both exposure blooming and the halo edit. No problem—I just had to make the foreground moon a little bigger to hide the edges of the background moon.

I pressed Control-T to activate the Free Transform tool, but because I was zoomed in, I couldn’t see the bounding box and its handles. So to make the adjustment, I used the options bar (Figure 12). I made sure that the Maintain Aspect Ratio button was selected, and then clicked to put my cursor in the Set Horizontal Scale field. Again, I was just eyeballing the effect, watching what happens to the image as I made microadjustments. Using the cursor keys, I pressed up once to increase the scale to 101 percent, then again to 102 percent. It looked perfect (Figure 13), so I stopped there.

Figure 12.

Figure 13.

I saved and closed the image, made a final crop in Lightroom, and bumped up the Texture slider a bit to make the stars pop.

Was it worth all that effort just to get some more stars? Heck yeah! Use the slider in Figure 14 to see a straight-out-of-camera shot versus the fully processed final image. See how “three-dimensional” and detailed the final image looks?

Figure 14.

Wrapping Up

Maggie thought it was pretty cool that I could take pictures of the moon (win for Daddy!), and she asked if she could try too. I let her fire off a few frames, and then we packed the gear into the car.

Figure 15. Lunar eclipse over Price Lake, Blue Ridge Parkway. Nikon D5 with a Nikon 300mm f/2.8 lens. 3 blended frames shot at 30 seconds (foreground), 15 seconds (stars) and 1/4 second (moon), f/2.8, ISO 6400.

The moon was still in shadow, so with Maggie’s permission we went back to Price Lake to create the astro-landscape photo of the eclipse that I had scouted earlier. That photo (Figure 15) was easier, as I didn’t need to shoot 32 frames to rid the image of high ISO noise. Just three exposures—one each for foreground, moon and sky—and we were done.

The timing of this post is intentional. Tonight the moon will fall into total eclipse again—for the second time this year, but for the last time until March 2025. If you’d like to create a photo like this, tonight is your last chance for 2.5 years.

Tonight’s lunar eclipse will begin at 3:02 a.m. EST, and totality will happen from 5:16 to 6:41 a.m. So it will take a commitment to photograph.

If you want to shoot this eclipse, of course other techniques are also options. For more ideas, see our blog posts:

For more information about tonight’s big event, see the Space.com article “How to watch the Blood Moon lunar eclipse on Nov. 8 online, the last until 2025.”

Tomorrow and in the days ahead, we’d love to see your lunar eclipse photos. Share in the comments below, or on our Facebook page, or on Instagram (tag us @nationalparksatnight #nationalparksatnight #seizethenight).

Chris Nicholson is a partner and workshop leader with National Parks at Night, and author of Photographing National Parks (Sidelight Books, 2015). Learn more about national parks as photography destinations, subscribe to Chris' free e-newsletter, and more at www.PhotographingNationalParks.com, and follow him on Instagram (@PhotographingNationalParks.com.

UPCOMING WORKSHOPS FROM NATIONAL PARKS AT NIGHT